摘要
女性文学“浮出历史地表”的含义不仅是指对传统性别秩序的抗衡 ,以取得跟男性平等的话语权力 ,而且也指女性历史积淀下的艺术潜质的释放。女性“暴力美学”所呈现人性层面上的生命体验的极致 ,女性对色、声、味的感知优势中包含的美学潜能 ,女性语言构成的文本魅力 ,这些久被拘囿、遮蔽的艺术潜质 ,在 90年代前后的中国大陆、台港、海外女作家创作中都得到了清醒的自审和不懈的开掘 ,构成这一时期女性文学发展的真正基础。
The signification of female literature 'having floated out of the historical earth's surface' not only contents with the traditional sexual method in order to obtain the power of discourse equal to male sex, but also it means the release of the artistic hidden quality of female sex under the historical accumulation. The acme of experience of life presented on the lay of human nature of female 'aesthetics of violence', the potential of aesthetics included in superiority of apperception of female sex for color, sound and gout,the charm of text constructed with female language, those artistic hidden qualities having been long limited and covered over have been soberly self-examined and untiringly dug in the creation of the female writers of Chinese mainland, Hong Kong,Taiwan and abroad in the fore-and-aft 90ties, and those have constructed the real foundation of development of the female literature of this period.
出处
《学习与探索》
CSSCI
北大核心
2002年第4期100-105,共6页
Study & Exploration