摘要
学界普遍认为,法兰克福学派的文艺美学思想是经典马克思主义文艺美学思想的延续与发展,但在法兰克福学派发展史上,齐美尔的影响使法兰克福学派把马克思的资本主义政治经济学批判延伸到社会学、美学、文化和艺术领域。基于文学理论、社会学、美学、艺术理论等多学科交融的视角,我们可以从文化诊断、现代性碎片、现代人形象、现代艺术审美之维和审美救赎的角度建构齐美尔与法兰克福学派的思想关联。
Academic circles generally believes that the Frankfurt School's literature and art aesthetic thoughts is the continuation and development of the literature and art aesthetics classical Marxist. But in the history of the Frankfurt school, the influence of Simmel makes Frankfurt School stretch the Marx's critique of political economy of capitalism in the field of sociology, aesthetics, culture and art. Based on the literary theory, sociology, aesthetics, art and other multidisciplinary perspective, we can construct the thoughts association of Simmel and Frankfurt School from dimensions of cultural diagnosis, fragments of modernity, modern people, aesthetic dimension and aesthetic salvation of modern art.
出处
《上海文化》
北大核心
2016年第6期50-57,126,共8页
Shanghai Culture
基金
国家社科基金项目"齐美尔与法兰克福学派文艺理论的关联研究"(10CZW007)的阶段性成果