南唐词抒情模式的位移

The Shift of the Lyric Modes of the Ci-poetry in the Southern Tang Dynasty

在词从唐到宋的发展进程中 ,南唐词可谓词运转折的一个关捩。其于词的外部形态的突破之一 ,便是抒情模式的位移 ,这主要表现为 :抒情主体由第三人称向第一人称的转换 ,词的主观抒情性特征的突显 ,抒情的对象化特征的凸现 ,以及张弛有度的整体性章法结撰排比等。这一成就的取得得益于李煜父子及冯延巳等人对于词这一新的抒情体式的自觉创新 ,得益于南唐词人对于意象以及词句章的独特理解和运用。

The ci poetry in the Southern Tang Dynasty was one of the keys to the transition of the development of the ci poetry during its course from the Tang Dynasty to the Song Dynasty .One of its breakthroughs was the displacement of the lyric pattern , it mainly lay in the conversion of its lyric subject from the third person to the first person , the standing-out of the lyric character and lyric object of the ci poetry, and nice arrangement of its art of composition,etc. This achievement profited from the Southern Tang writers' self-conscious innovation to the new lyric type and their particular comprehension and handling of the images ,words, sentences and chapters,etc.