“角门”在明清小说中的文化意义

The Cultural Meanings of “Jiao Men”in Ming and Qing Fiction

"角门"一词自南宋小说《夷坚志》始,正式出现在中国古典小说中。作为明清小说中常见的一个物象,《红楼梦》一书的出现,标志着"角门"在明清小说中成为一种意象。因其本身具有的社会内涵,加之小说作者有意或无意的创作,"角门"在明清小说中逐步被赋予更多的文化意义。从礼仪文化、爱情文化、灰色文化三个方面入手,分析了"角门"在明清小说中承载的文化意义。

The word＂Jiao Men＂appeared officially in classical Chinese fiction as the southern song dynasty novel which called Yi Jian Zhi. As a common object in the Ming and Qing novels,＂Jiao Men＂become a kind of image in the novels in the Ming and Qing dynasties for the emergence of A Dream of Red Mansions. Because of its social connotation and the intentionally or unintentionally creation of author,＂Jiao Men＂gradually has more cultural meaning.This article tries from the three aspects as etiquette culture,love culture and gray culture,dissect the cultural meanings of ＂Jiao Men＂in Ming and Qing fiction.