“文人画”中的陶诗情结

The complex of Tao in the “literati painting”

陶渊明的田园诗所表达的一种平淡冲和、超然世外的美学倾向,对后世的绘画、诗歌创作尤其是文人画的理论奠基者苏东坡产生了很大影响。苏东坡提倡文人画"绚烂之极,复归平淡",以抒发胸中意气,这与陶渊明的美学主张是一致的。陶诗的美学境界也是典型的古代文人画意境。可以说,不能体会陶诗的审美倾向与艺术思想,就难以真正懂得中国古代的文人画。

Tao Yuanming idyllic expressed a dull red and, detached aesthetic tendency, on the later painting, poetry especially literati painting theory founder of Su Dongpo had a significant impact. Su Dongpo advocated literati painting ＂extremely gorgeous and reversion plain＂, to express the spirit in the chest, which with Tao Yuanming＇s aesthetic idea is consistent. The aesthetic realm of Tao poetry is also a typical artistic conception of ancient literati painting. It can be said, can not appreciate the aesthetic tendency of Tao poetry and artistic ideas, it is difficult to really understand the ancient Chinese literati painting.