从《文心雕龙》风骨论中看王弼周易注的辐射

Theory of Fenggu from The Literary Mind and the Carving of Dragons as influenced by Wang Bi's Annotations of Book of Changes

风骨论不仅是一个影响甚大的批评概念,而且也是一种审美价值观念。刘勰系统阐释之后,这一概念就被广泛运用于文学批评中。从而由原本体现士族精神与玄学意识的人物人格形象品藻,逐渐转变为刘勰原道宗经立场的文论思想与文学主张,使风骨论的内涵具有明显的儒家文化色彩,而与人物品评异趣。此种体现玄儒汇通化成的学术观念与文化思潮,其中暗涵的《易经》及传注影响,对深入探寻刘勰风骨论的文化底蕴,具有更深层次的理论价值与学术意义。

The theory of Fenggu is not only a great influential criticism concept, but also a kind of aesthetic value. Since Liu Xie, this concept has been widely used in literary criticism. It has transformed from the personality images of Shi Clan and the consciousness metaphysics to Liu Xie＇s literary proposition. This approach makes it take on distinct Confucian culture and different from character comments. It displays an academic and cultural conception of the integration of Xue School and Buddhism, which is of theoretical significance to further exploring the cultural connotation of theory of Fenggu.