摘要
从新历史主义的角度出发,分析了颠覆和抑制这两种力量在杰克·伦敦的《马丁·伊登》中的交织作用。颠覆作用是通过作者揭露美国梦的欺骗性、个人主义的失败和资产阶级的虚伪来实现的;而作家的作品,也不可避免地受到主流意识形态的抑制,并在社会权力话语的"商讨"中形成。
This paper makes an effort to analyze the interweaving power of subversion and containment in Martin Eden from the perspective of new historicism. Subversion is achieved by exposing the deception of American dream, failure of individualism, and bourgeois hypocrisy. And writer＇s works are also inevitably suppressed by the mainstream ideology and formed in the ＂negotiation＂ of social power discourse.
出处
《淮海工学院学报（人文社会科学版）》
2016年第7期42-45,共4页
Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)
