试析书信体小说《锦绣》的叙事特征

Analysis on Narrative feanures of the Epistolary Norel in Kinshu

《锦绣》是日本作家宫本辉的代表作品之一。小说采用书信体形式,全书由14封书信构成。作者宫本辉采用书信体的叙事形式,经过巧妙构思,在他营造的浪漫世界中充分展开故事,宫本辉省略了一般第三人称小说的描写和说明,仅靠信件构筑并展开了故事。从叙事学这一视角出发,分别从双视角叙事视点、回顾式叙事时间及嵌套式叙事结构三个方面分析《锦绣》的书信体风格,探讨这部作品所表达的生与死主题的真正涵义。

Kinshu is one of the representative works of the Japanese writer Miyamoto Teru. the novel consists of 14 letters by adopting the epistolary form, in which Miyamoto Teru unrolls his story skillfully by omiting the general description and explanation in the third point of view and constructing the novel only by letters. From the perspective of narratologie, the paper attempts to analyze the epistolary style of the novel respectively from the three aspects of the double perspectives of narrative point of view, retrospective narrative time and nested narrative structure, and explore the true meaning of life and death in the novel.