摘要
软木画构图离不开中国画"虚实"构图精神的启发和渗透。它汲取中国画"虚实相生"的互补性构图;运用"以远为虚,以近为实"的理想化构图;采用"以疏为虚、以密为实"的主观性构图;以及取用"以白为虚、以物为实"的唯美构图。这种客观主观化构图形式是艺术家心物相契、情景交融、审美意境的统一。
Cork picture is inseparable from the composition idea of Chinese painting with reality and fantasies. It absorbs the symbiosis of reality and fantasies from Chinese painting complementary composition;Using "far as fantasies, nearly as reality" idealized composition; Use "thin as fantasies, dense as reality"subjectivity composition; And use "white as fantasies, as reality" aesthetic composition, and the objective and subjective value composition form is an artist of conformity, the unification of the scene, aesthetic artistic conception.
出处
《新疆艺术学院学报》
2016年第2期45-48,共4页
Journal of Xinjiang Arts University
基金
2014年闽江学院院级社科项目"福州软木雕画‘回归’对闽都艺术文化产业影响的研究"(MYZ14011)成果
关键词
软木画
中国画
“虚实”
意念
构图
Cork picture
Traditional Chinese painting
Fantasies and reality
Idea
Composition