后冷战时代间谍片的“弑父”叙事

Narration of Killing Father in Spy Films during Post Cold War Period

间谍片中,"父权"的在场性无法回避,冷战时期间谍片"父子"关系叙事秉持"父令子行"的模式,然而后冷战时代,这种模式被解构,取而代之的是"弑父"叙事。"弑父"表面上是杀掉父亲般的上司人物,实质上是对该上司所代表的旧有的冷战价值体系的清算。"弑父"的同时,后冷战时代间谍片还通过"寻找自我"建立起回归人本的新价值体系,从而呈现出与冷战间谍片全然不同的精神内涵。

The indispensable plot of son complaying with father＇s order in the cold war period is replaced by the narrative model of killing farther during post cold war period. Essentially,killing father implies eliminating the old value system represented by fatherly authorities. Additionally,spy films during the post cold war period aims to establish a brand- new human oriented value system which is absolutely different from spy films in cold war period in spiritual connotation.