李清照自传三重女性视角下的三维悼亡

A 3D Mourn on Li Qingzhao's Autobiography from Triple Perspectives of Feminism

李清照的《〈金石录〉后序》作为中国自传文学史上罕有的女性自传,为中国自传文学的发展做出了诸多独一无二的创造性贡献。作为女性自传,《〈金石录〉后序》涵盖了李清照作为名门闺秀(儿媳)、文官妻子和女性文人的三种身份,这三种身份的自我认同在作品中的凸显,构成了其自传的三重女性视角;作为悼亡作品,《〈金石录〉后序》又融汇了自传事实-对丈夫的悼亡、传记事实(对藏品的悼亡)、历史事实(对国家的悼亡)三维叙事空间。三重女性视角下的三维悼亡之丰富多面、剪裁得当、精妙绝伦的谋篇布局结构,使《〈金石录〉后序》成为中国自传文学史上的一座里程碑,不仅为中国古代自传补足了以往女性作者的缺席,还提供了三维互动的叙事空间模式,成就了李清照在中国自传文学史上坐标式人物的重要地位。

As a rare female autobiography in the history of Chinese autobiographical literature,Li Qingzhao's Epilogue for Jin Shi Lu has made unique contributions to the development of Chinese Autobiographical Literature. It has created three identities for Li Qingzhao: a graceful lady( daughter- in- law),the wife of a civil officer and a female poet. As a memorial work,Epilogue for Jin Shi Lu has shaped a three- dimensional narrative space by incorporating the autobiographical facts( mourn for her husband),biographical facts( mourn for the collections) and historical facts( mourn for the nation). As a milestone in the history of Chinese autobiography by providing a model of three- dimensional interactive narrative space,the work has successfully put Li Qingzhao at the important position for landmark figures in the history of Chinese autobiography.