二十世纪中国鲁迅阐释范式的转换

The Conversion of China's Interpretation Paradigms on Lu Xun in the Twentieth Century

二十世纪中国的鲁迅阐释经历了三个范式的转换:八十年代前革命意识形态的鲁迅阐释试图建构从反封建战士到新民主主义文化革命旗手的鲁迅形象,八十、九十年代人文意识形态的鲁迅阐释试图建构中国现代启蒙思想最深刻代表的鲁迅形象,九十年代以来,尤其是新世纪大众通俗文化意识形态的鲁迅阐释试图还原作为平凡人的鲁迅形象。每一个阐释范式的形成,都基于不同时代语境与阐释主体的需要。三个阐释范式之间既有范式转换的内在逻辑,又存在将误解作为真实从而形成新的更深误解的现象。革命意识形态的鲁迅阐释与人文意识形态的鲁迅阐释各有独到的发现,相互补充可能遮蔽的鲁迅存在,而大众通俗文化意识形态阐释的消费性与媚俗化取向,造成对鲁迅存在本来具备的深刻内涵的消解。

The conversion of China＇s interpretation on Lu Xun in 20 th century has gone through three paradigms： the revolutionary ideology Interpretation attempts to construct an image from anti-feudal warrior to the standard-bearer of the New Democratic Cultural Revolution; In the 80 s and 90 s in the 20 th century, interpretation of humanistic ideological attempts to construct Lu Xun＇s image of the most profound representative of Chinese Modern Enlightenment; Since the nineties, especially in the new century, interpretation of mass popular culture ideology tries to restore Lu Xun as a ordinary people. Each interpretation paradigm based on different context of ages and different interpreters. There are inherent logic in the shift of three interpretation paradigms,and there also has been the phenomenon that regarding a unreal image as a real image to form a new deeper misunderstanding. The interpretation of revolutionary ideology and humanistic ideology has their own unique findings, and may complement each other, but the kitsch and consumer orientation in the interpretation of popular culture ideology has resulted in the deconstruction of originally profound connotation of Lu Xun.