摘要
李白大篇如天马行空,来去自如,短诗又似出口成章,所以很少有人从结构角度端详探究。本文先从李白歌行大篇的腾跃驰骤中却蕴涵线索分明的内在结构经营,再从其所擅长的乐府与五七言古诗短制的千变万化的结构经营,复由占其诗四分之一的组诗中加以探讨,李白诗结构大刀阔斧与自然成文,均可得到鲜明结论,从而对李白诗的艺术特征更有多方面把握与理解。
The style of Li bai's long poems are unconstrained, while his short poems are eloquent. Therare few people studied his poems from the angle of structure. By studying the internal structure with clear clueof his long poems, his daedal structure of his Yue Fu and Five-character as well as Seven-character poems, andhis suite poems which accounts for a quarter of his poems, we can see the drastic and natural construction of hispoems, thus have more understanding about the feature of Li Bai’s poetry.
出处
《吉林师范大学学报(人文社会科学版)》
2016年第2期15-24,共10页
Journal Of Jilin Normal University:Humanities & Social Science Edition
基金
国家社会科学基金后期资助项目"李白
杜甫
王维新论"(编号:13FZW059)
关键词
李白诗歌
歌行结构
乐府
组诗
Li Bai's poetry
poetry structure
Yue Fu
suite poems