嵇康对传统乐论等级教化意识的背离——基于《声无哀乐论》的政治视角解读

On Ji Kang departing from the traditional music on the level of consciousness of enlightenment——Interpretation based on the “Sound without Dirge”Political Perspective

等级观念是传统乐论的主要内容,《声无哀乐论》极力否认音乐与等级的同一性。传统乐论认为,"乐由心生",因此,乐可以被用作统治工具来进行等级教化。《声无哀乐论》从玄学视角出发,对传统乐论进行了全方位的批判,主要体现在对儒家音乐之"和",以及音乐功能的批判上,在承认乐教有移风易俗作用的同时,表达了音乐不能进行等级教化的政治主张,也就否定了音乐的政治统治工具论的论调。

Hierarchy is the main content of traditional music theory, Ji Kang as ＂Sound without Dirge＂ music and vehemently denied class identity. Traditional music theory that ＂music from the heart＂, so the music can be used as a tool for domination grade enlightenment. ＂Sound without Dirge＂ Metaphysics from the perspective of traditional music on a full range of criticism, mainly re- fleeted in the Confucian music ＂harmonious＂ music features and criticism, in recognition of music education have to change our habits role, expressing Music can not be indoctrination level political views, also denied the political domination of music theory argument.