商业美学下的符号修辞实验——评《九层妖塔》中的“空间编码”

An Analysis of Spatial Coding in the“Chronicles of the Ghostly Tribe”

符号学视野下,当前艺术电影在商业美学中的复杂面向,体现了创作过程的符号文本修辞术。陆川在《九层妖塔》中以神话象征系统为基础,有意落入具有较强理据性的历史文本,造成了空间对峙的修辞效果。电影文类的转型,并不必然导致艺术电影完全走向商业美学,一个成长的电影类型框架恰恰需要文本内符号元素的多元流动与置换。

Under the background of semiotics, the appearance of art film in commercial aesthetics is complicated, which reflects the use of symbolic rhetoric in the process of creation. In the ＂Chronicles of the Ghostly Tribe＂, the director LU Chuan intends to mix the mythical symbol system with the strong historical texts. Therefore, the rhetoric effect of the space confrontation is created. The transformation of the genre of film is not necessarily leading to the commercial aesthetics of the art film. A growing movie type framework requires multiple flows and permutations of symbolic elements in the text.