从2015年中国戏剧市场看其背后的三种现象

Three Phenomena behind the 2015 Chinese Theater Market

文章从2015年北京戏剧演出市场的三种现象切入,浅谈笔者对当下中国戏剧的三点观察之得。以北京人艺为代表的体制内戏剧院团虽身处客观的瓶颈期,但其瓶颈也并非铁板一块,其中的一些院团、创作者及作品,还是可以让我们看到突破万难、锐意革新的勇气与活力,这令我们对体制内戏剧院团的未来,又多了一份好奇;外国戏剧引进的大潮已经不可阻挡地来袭,但需要细审的问题包括,为什么这些外国戏剧作品来到了中国?其背后代表的外国戏剧现状到底是什么?对外国戏剧作品的剖析当然是很有必要的,但同样必要的是跳出"就戏论戏"的局限,站在更高的视点上与外国戏剧接轨;当下中国戏剧产业正在进行整合,政府、企业所引导的强势资本对作品、剧场、人才等中国戏剧的结构性元素都有可能产生洗牌性的影响,这一现象是喜是忧?值得持续关注。

The paper starts from three phenomena of the 2015 Beijing theatrical performing market, and then presents the author＇s three observations of contemporary Chinese drama ： （ 1 ） Although the government - run theaters and troupes with Beijing People＇s Art Theatre as the representative, are factually in their bottleneck period, but this is not something that cannot be changed. Among them, some troupes, composers and works have shown courage and vitality of tackling difficulties and firmly reforming, which gives us new prospect and hope for the future of the government - run theaters and troupes. （2） As the trend of introducing foreign dra- ma is irreversible, we need to carefully consider the following questions： Why those dramas are introduced into China？ What current situation of foreign drama does this reflect？ We should not be limited to analysis of the theatrical works themselves, and should integrate with foreign dramas on a higher level. （3） The current Chinese drama industry is going through industrial integration; the strong capital dominated by government and companies is likely to have shuffling influence on the various structural elements of Chinese drama, such as theatrical works, theaters and theatrical talents. It is worth our continuous attention whether this is good news or bad news.