当代观念摄影创作的瓶颈与突破

The Bottleneck and Breakthrough in the Creation of Chinese Contemporary Conceptual Photography

借鉴与移植西方艺术创作方式与评价体系,成为中国当代观念摄影创作的主要途径,同样由于文化的差异,造就了其发展瓶颈。若要突破其瓶颈,其一,摄影艺术家在精神层面的构建上要基于本土文化语境下,利用"物派"与道家的"自然主义"哲学观进行创作,让表现对象自身通过质感、肌理、结构等外在的组织形式进行由内而外的表述。其二,在摄影艺术创作过程中,艺术家要积极寻求自身观念与表现载体之间形成的共同点,并通过相关摄影媒介把这一共同点无限放大。中国的观念摄影发展要植根在东方文化的丰厚土壤之上,从表现载体本身传递的观念性、艺术家与表现载体的观念共同点这两个角度出发,挖掘出中国本土观念摄影的潜在核力。

Borrowing and copping the Western art creation methods and evaluation system have become a main approach in the creation of Chinese contemporary conceptual photography. Meanwhile, owing to the cultural difference, bottleneck in the development is seen. This paper clearly points out the measures to tackle these problems. Firstly, in terms of the spiritual construction, photographic artists should, in line with the local cultural context, adopt the perspectives of ＂Mono -ha＂ and ＂naturalism＂ of Taoism to create, so that it is possible to make the object express itself from the inside through its external organizational forms such as quality, texture and structure. Secondly, in the process of photographic art creation, artists should actively seek common points be- tween their own ideas and the expressional vehicle and afterwards these common points can be magnified to the maximum with related photographic media. The development of Chinese conceptual photography should be rooted in the rich soil of Chinese culture, so that its potential can be exploited from two aspects： the conceptuality conveyed by the expression vehicle and the common points between artists and the expression vehicle.