新世纪中国电影中的启蒙话语

Enlightenment Discourse in New Century Chinese Movie

新世纪以来,在中国经济汇入全球化激流的大背景下,随着电影产业化改革的深入,对票房经济的专注在某种程度上掩盖了对启蒙话语的理论分析。基于此,从异质空间中的文化反思、历史事件中的艺术揭密两个方面梳理启蒙话语在影片中的存在形态,指出此类影片票房不济、表达不清的原因,提出以感性启蒙吸引电影观众、以自启蒙抵御被启蒙,同时以"对话共享"而非"独语垄断"的文化立场参与影片价值观的表达,为中国电影文化"站起来""走出去"提供借鉴。

Since the new century, with the rapid development of globalization and the deepening reform of film industry, box office has been a great concern of people, which to some extent overshadowed Enlightenment discourse theory. The author expresses the enlightenment discourse from the cultural reflection in heterogeneous space and the art in the historical events, reveals the reason why the box office fails and where unclear expression comes in the film. Emotional enlightenment is offered to attract moviegoers while self-enlightenment is against enlightenment. At the same time, we should adopt ＂shared dialogue＂ instead of ＂soliloquy monopoly＂ opinion to participate in the film culture expression value, providing reference for the Chinese film culture ＂stand up＂ and ＂going out＂.