山河故人均变换,艺术初心贵坚持

On JIA Zhang-ke's Creation Analysis

贾樟柯导演的新片《山河故人》承袭了以往作品的许多表现手段,为我们展示了宽广时空的中国当下社会图景,包括对十年后的想象部分。同时也可见出导演明显的创作调整,最主要的是创作取向由逼真叙事转到感伤抒情,影片对人物关系与情感历程作了较为详细的描写,并且用关键性台词传达主题。转变可能基于两个原因,一是导演心态的变化,二是对高票房的持续觊觎。

JIA Zhang-ke＇s new film Mountains May Depart carries on many old creative methods in his former works,and reveals China＇s social life at present and even in ten years. Director ＇s creative adjustment can be found obviously in this film,i.e.Creation from actual narration to sentimentality. The film comprehensively describes characters relationship and emotion development, and use key lines to express the theme. The change of director ＇s state of mind and pursuit for high box office income.