摘要
从中国哲学美学及中西绘画角度切入剖析了赵家富山水油画艺术实践。从东方整体精神包容西方局部分析精神的山水油画观立论,援引中国山水心路历程,论述了画家对山水的自我心路、画家山水油画的自我成长以至自我范式的形成,解读了赵家富油画山水的发生历程与发展面貌。
The art practice of ZHAO Jia-fu's oil painting of landscapes is analyzed in this paper from the perspective of Chinese philosophy and aesthetics and Chinese and Western paintings as well. From the spirit of oriental overall inclusiveness and the spirit of western local analysis in the conception of landscape painting ,this paper discussed the formation of the painter's spiritual self-development,self-growth and self-paradigm in oil painting of landscapes,and interpreted the development and outlook of ZHAO Jia-fu' s oil painting of landscapes.
出处
《湖北工业职业技术学院学报》
2016年第3期94-97,共4页
Journal of Hubei Industrial Polytechnic
关键词
赵家富
山水心路
油画山水
ZHAO Jia-fu
spiritual landscape
landscape painting