摘要
莫言立足于自身原型,通过自我与超我的融合,创作了一系列小说中的"我",如黑孩、上官金童、莫言、李一斗、蓝解放、蝌蚪等。莫言在这类小说人物的创作中,通过元小说、不可靠叙述等多种叙事手法,对这些小说人物进行了立体塑造,令小说中的"我"超越了现实生活原型。莫言将儒、释、道、基督精神、齐文化的化育皆融入到小说人物的创作中,令笔下的人物具有丰厚的精神文化内涵和艺术魅力,同时亦彰显了新历史主义的文学观、浪漫自由的审美特质以及慈爱悲悯的人性情怀。
Mo Yan has created a series of "I"images in his fiction through the integration of ego and superego based on his own prototype,such as,Black Child,Shangguan Jintong,Mo Yan,Li Yidou,Lan Jiefang,Ke Dou,etc. These characters he has created in his fiction enable the "I"images to surpass the real- life prototype through stereo- drawing on them by metafiction,unreliable narration and other narrative techniques. And these fictional characters,which integrate Confucianism,Buddhism,Taoism,the spirit of Christ and Qi Culture into his fictional creation,are with rich spiritual and cultural connotation and artistic charm,and,too,highlight the literary concept of New historicism,romantic and free aesthetic idiosyncrasy,and human feelings of loving compassion.
出处
《山东师范大学学报(人文社会科学版)》
2016年第3期44-62,共19页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
2013年度国家社科基金重大项目"世界性与本土性交汇:莫言文学道路与中国文学的变革研究"(13&ZD122)的阶段性成果
关键词
莫言
文学创作
自身原型
Mo Yan
literary creation
self-prototype