文革电影的乌托邦色彩

Utopian Color of Movies during the “Cultural Revolution”Period

文革电影的乌托邦主要体现在对理想社会蓝图的构建,这种乌托邦既存在于银幕之内,也存在于银幕之外。但在建构理想社会蓝图之前,文革电影总是先展现现实世界中的诸多问题,比如战争、阶级斗争、疾病、自然灾害等。本质上,文革电影的乌托邦是一种政治乌托邦,它重阶级性而轻人性,重集体而轻个体,重精神而轻肉体。这种乌托邦的出现主要与当时狂热的文革运动和深远的中国革命史有着必然联系。它营造了"全国一片红"的大好形势,同时也遮蔽了触目惊心的现实。

Utopia of ＂Cultural Revolution＂movies finds expression in the construction of the blueprint of an ideal society both in and outside the screen. However,before constructing the blueprint of such a society,Cultural Revolution movies always raise many problems in the real world,such as wars,struggles between classes,diseases and natural disasters,and so on and so forth. This utopia is essentially a political utopia. It attaches more importance to class character,collectivity and spirit rather than human nature,individuality and the flesh. The appearance of this kind of utopia is necessarily related to the fanatical Cultural Revolution Movement and the long history of Chinese revolutions at that time. It works out a good situation of the ＂Whole Country is Red＂but covers the soul- stirring reality at the same time.