期刊文献+

局限与极致——撞水撞粉花鸟画技法初探

Limitations and Acme, The Techniques of Water Combined With Powder in Traditional Chinese Flower and Bird Painting
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摘要 文章作者的花鸟画作品一直在追求独特的个性,无论是题材的选择,还是画面的构图,抑或是色彩的表现,始终不断地在寻找一种女性特有的温婉淡雅的绘画语言。对于身边可触可及的生物细致敏感的体察与关怀之情,是真挚动人的。期望通过作品把观者引领到清旷、宁静、和美的国度,在物我相融的时空里,享闲,遐思。 With the author's work has been in the pursuit of unique individual character,whether the choice of subject matter, or the picture composition, or the color performance, always keep looking for a kind of peculiar to women quietly elegant of painting language.For biological side can touch and carefully inspected sensitive and care of love,is the sincere and moving. Expectthrough the works,can bring the viewer to the country of peaceful, spacious, quiet. In the Situational blend to space-time, at idle and random.
作者 陈蔼
出处 《艺术与设计(理论版)》 2016年第6期110-112,共3页 Art and Design
关键词 制作性 程序性 工写结合 manufacture procedural combination of realistic painting and freehand brushwork
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