探析《末日审判》在俄罗斯音乐中的引用原因——以哈恰图良、柴可夫斯基、米亚斯科夫斯基作品为例

A Probe into the Reasons of the "Doomsday" in Russian Music——Taking the works of Khachaturian,Tchaikovsky and Myaskovsky as Examples

《末日审判》是13世纪著名的继叙咏,它的出现通常被视为死亡、恐惧、不祥等象征。在19世纪末20世纪初这一时期《末日审判》被广泛运用,其中俄罗斯作曲家运用此曲调在作品中的次数颇多。本文将对哈恰图良、柴可夫斯基、米亚斯科夫斯基这三位作曲家的三部作品进行分析,探究《末日审判》在俄罗斯音乐中的引用原因。

＂Doomsday＂ is a famous sequential in the thirteenth century,whose appearance is often regarded as the symbol of death,fear and ominous signs.It was widely used at the end of the nineteenth century and early twentieth century,Russian composers using this melody most.This paper analyses the three composers＇ works and explores the reasons why ＂Doomsday＂ is cited in Russian music.