摘要
戏曲艺术和戏曲年画在我国古代拥有广泛的受众群体,戏曲和戏曲年画的盛衰变化正反映出民间艺术受众的众寡变化过程。戏曲年画的繁盛、衰落与受众的娱乐方式、教育程度、民俗与审美惯例息息相关,通过研究与分析戏曲年画盛衰过程中的受众变化,总结民间艺术与受众之间的发展关系,探讨民间艺术在当代传承与发展的途径。
Chinese opera and its New Year pictures had a wide range of audiences in ancient China,whose rise and fall reflected the change process of folk art audiences.Its prosperity,rise and fall related to the audience' s entertainment,education,folk customs and aesthetic practice.This paper studies and analyzes the audience change during the process of rise and fall,summarizes the development relationship between folk art and audience,and explores the contemporary inheritance and development path of folk art.
出处
《吉林艺术学院学报》
2016年第3期32-35,共4页
Journal of Jilin University of Arts
基金
山东省艺术科学重点课题"山东民间美术受众研究"(2013400)阶段性成果
关键词
戏曲
戏曲年画
受众
民间美术
traditional opera
New Year pictures of opera
audience
folk art