“宏大叙事”的解构——新写实小说的审美特征

Interpretation of “Macro-narration”——On Aesthetic Characteristics of New Realism Novels

新写实小说对"宏大叙事"的基石英雄主义、理想主义进行了解构,它从大写的英雄转向小写的凡人,从形而上的精神、理想,转向形而下的世俗、生活,将为宏大叙事所否定、批判、与"远大的目标""伟岸的英雄"完全无关的日常生活和普通人物放在了文本结构的中心位置上,向人们展示了一幅琐屑平庸、缺乏诗意的人生图景,表现出了一种后现代主义的审美特征。这在对宏大叙事主导下精神至上的写作立场进行反思、批判,为文学开拓更广阔的叙事空间之同时,也消解了在文本中建构精神、理想,表达形而上、超越性思考的可能。

New realism novels interpret the cornerstone heroism and idealism with＂macro-narration＂,from massive description of the heroes to simple description of layman,from metaphysical spirit and ideal to vulgar life,deny and criticize the events with macro-narration,put daily life and everyman without＂ambitious objective＂and＂great heroes＂on the central position of the text structure,demonstrate the life picture with mediocre image without poetic meaning and express a kind of post-modernism aesthetic characteristics. This narration recollects and criticizes the writing mode with metaphysical hero description,opens the more extensive space for literature and cancels the construction of spirit and ideal in texts and transcendence in expression forms.