摘要
分形艺术是随计算机编程发展而兴起的艺术形式,属典型的过渡设计类型而鲜有相关研究。本文以Michael Hansmeyer的建筑分形作品为切入点,将设计逻辑归类为十字式(泛起专终)、卅字式(泛起泛终)和混合式(泛起群终),进一步以"简与繁"的概念模型(生于简而衍于繁)推衍建筑分形作品的设计生产过程,并在此基础上分析归纳出汉斯迈尔柱(即Michael Hansmeyer设计的柱式)奇异(对比巴洛克柱式)、规整(对比多立克柱式)和混沌(对比Helvetica字体和加拉帕戈斯群岛地雀演化模型)的视觉表征,使用了大千图书馆的模型解释汉斯迈尔柱的视觉表征来源,最后以无为设计的核心即遗传算法,尝试提炼并解释其简化设计过程和优化设计成品的本质概念。文章旨在归纳总结分形艺术的一般设计规律及其美学范式,并为此类型的设计提供具体的研究样本。
Fractal Art is an artistic form arising with the advancement of the computer programming, belonging to transition form of design but lacking in relative research. This article starts with Michael Hansmeyer’s architecture fractal works, genelizing the logic of design into Cross-Form(arising in general ending in one), MultiCross-Form(arising in general ending in general) and Mix-Form(arising in general ending in several), further introducing the concept model of "Simple and Complex"(arising in simplicity and mutiplying in complexity) to deduce architecture fractal works’ process of design, basing on all above and analyzing fantasticality(compared to Baroque column), regularity(compared to Doric Order) and chaos(compared to Helvetica and the model of evolution of ground bird inhabiting in Galápagos) of the visual token of Hansmeyer’s column, and using the model of Borges’ Library to explain the origin of the visual token of Hansmeyer’s column, lastly through the key of Wuwei Design, genetic algorithm, abstracting the concept, which is simplifying the process of design and optimizing the design, of it. The article aims at genelizing the rule of design and the pattern of esthetic of fractal art, to provide design of same type the particular sample of research.
出处
《艺术设计研究》
CSSCI
2016年第2期89-96,共8页
Art & Design Research
关键词
分形
设计逻辑
无为设计
柱式
汉斯迈尔柱
fractal
logic of design
Wuwei Design
column
Michael Hansmeyer