摘要
敦煌220窟《东方药师经变画》是唐代乐舞场面最具代表性的壁画。壁画中呈现的乐队及乐器组合,反映的是在继承秦汉乐府音乐的基础上,经北朝以来吸收大量外来音乐而形成的燕乐。这种带有浓厚西域音乐文化色彩的乐队和乐器组合,可能常用于胡旋舞这种舞蹈形式中。胡乐、胡舞在唐代融入中国乐舞之中,最终形成具有特色的唐代音乐文化。
Dunhuang Cave 220, picture of the Eastern Pharmacist Sutra, is the most representative fresco of the Tang Dynasty music and dances. The musical band and harmony of instruments reflects the Yan music, which was based on the Han Dynasty music with repeated assimilation of the music from other regions. They may also appear in Huxuan dance. Later, they formed the most characteristic Tang Dynasty music culture .
出处
《西北大学学报(哲学社会科学版)》
CSSCI
北大核心
2016年第4期156-160,共5页
Journal of Northwest University:Philosophy and Social Sciences Edition
基金
陕西省社科重大理论与现实问题研究项目(2015Z100)
关键词
敦煌220窟
《东方药师经变画》
乐舞图像
Dunhuang Cave 220
The Eastern Pharmacist Sutra
picture of the music and dance