当代诗歌语感写作分歧的维度探究

The dimension study of the language sense writing differences in contemporary poetry

朦胧诗之后,新生代诗人倡导的语感写作引起了诗界的巨大分歧。导致分歧的根本原因不在于对语感及语感写作本身的认知,而在于评价视角完全不同。梳理当代诗歌语言变化的历史脉络发现:在社会政治文化视角下,诗歌语感写作获得了高度评价;但在语言学视角下,语感写作乃业界"常识"。在常态社会下,语感写作的定位自然要回归语言学本体,偏离"常识"和夸大"常识"同样危害诗歌发展。好诗一般都有"超语义"的韵味空间和个性特色,同时也离不开语言的意义空间和深藏于语言背后的价值理念的支配。因此,诗歌回归语言本体之后,对语感及其语感写作应有明确的定位:语感是当代诗歌创作中不能缺少又不能过分夸大的重要业务能力,是体现诗歌个性风格的重要因素。

After Obscure Poetry period,Language sense writing advocated by the new generation poets caused a substantial difference in poetry writing.The fundamental cause was not the cognition of language sense and language sense writing itself,but the evaluation perspective was completely different.Presenting historical language changes of contemporary poetic language had found that under the social political and cultural perspective,poetry language sense writing won the high praise;but under the linguistic perspective,language sense writing was just the ＂common sense＂.In a normal society,the position of language sense writing shall return to linguistic ontology,otherwise both deviating from ＂common sense＂and exaggerating＂common sense＂will bring harm to poetry development.Great poetry usually has ＂beyond semantic＂space and personality characteristics,but is also inseparable from the language space and the control of value concept hidden behind in the language and the significance of value concept.So after returning to linguistic ontology,the language sense and language sense writing need a clear position：language sense is an important business ability in contemporary poetry writing which cannot be lost and overstretched,and also is an important factor to reflect poetry individual character.