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新文学传统的面具:从革命论到后现代性

Masks of New Literary Tradition: From Revolution to Postmodernity
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摘要 对新文学传统的阐释具有多样化色彩,不同路径与视域下的解读各具学理特色。融进化论与革命论为一体的新民主主义文学史观,以比较文学思维为基础的启蒙式阐释,1990年代以来的后现代性观念,是其中最为明显的3种阐发,新文学传统犹如戴着这些变幻的面具而存在。从"革命论"到"后现代性",新文学传统显身在不同的阐释者中间,这一切,都可归结为对新文学传统的种种"误读"。最为根本的是,只有回到现代作家特殊时空下的具体生存感受,与新文学对应的文学传统,才会尽可能地贴近新文学的本来面目,回到新文学传统的基座之上。 The traditional interpretation of the new literature with diverse colors, different paths of interpretation makes different horizons in its theoretical characteristics. Financial theory of evolution and revolution as one of the new people's literature history, comparative literature enlightenment thinking based on the interpretation, post-modern-ity since the 1990s, are three most obvious expositions. New literature tradition exists like wearing these new changing masks. From the revolution to post-modernity, a new literary tradition wihich revealed himself in the middle of a different interpretation, all this can be attributed to a variety of new literary tradition "misunderstandings." Most fundamentary, only returning to a specific modern writers feeling special time and space, and literature tradition corresponding to new literature can get further to the real face of new literature, getting back to the base of new literature tradition.
作者 颜同林
出处 《晋阳学刊》 CSSCI 2016年第4期20-26,共7页 Academic Journal of Jinyang
基金 贵州省高校优秀科技创新人才支持计划(项目编号:黔教合KY字[2012]087号)阶段性成果
关键词 新文学传统 新民主主义史论 后现代性 生存体验 new literary tradition new democracy history postmodernity survival experience
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