摘要
王尔德诗歌中的"城市"意象经历了由虚入实的转变过程。在《清晨印象》中,他运用诗歌语言描绘了一个日常生活中的城市图景,其诗歌中的城市书写受到了印象主义、拉斐尔前派以及惠斯勒的影响,展现出跨艺术媒介表达的特点,并在取材方面表现出现代性意识。其城市诗歌中"孤独的游荡者"的形象具有维多利亚社会和现代工业社会的过渡性特征,但还不具有理论性的突破,仍未脱离城市空间中的功能性角色。
The image of " city" in Wilde's poetry has undergone the process of transformation from imaginary being to factu- al existence. In " Impression du Matin" , he paints with poetic language a portrait of the city in everyday life. Wilde's city writing has been influenced by Impressionism, Pre-Raphaelites and Whistler. It demonstrates the characteristic of cross- media expression and displays the consciousness of modernity in its adoption of subject matters. The image of "solitary wan- derer" in this poem carries with it the transitional characteristics of both the Victorian society and the modern industrial socie- ty, but it still lacks a theoretical breakthrough and thus cannot escape from the functional role in an urban space.
出处
《美育学刊》
2016年第4期72-78,共7页
Journal of Aesthetic Education
基金
教育部人文社科规划基金项目(13YJA752014)
教育部人文社科青年基金项目(15YJC752003)
上海市晨光计划项目(14CG32)
上海市高校青年教师培养资助计划(YQ13CHJ01)
上海外国语大学校级一般项目(KX181110)的阶段性研究成果