摘要
侯孝贤的青春成长片《恋恋风尘》,缓缓叙述了在台湾70年代初的社会转型,给家庭乃至社会带来的改变。电影除了写阿云和阿远的爱情故事之外,侯孝贤还对乡村进行了浓墨刻画,这样宁静、朴实的冲击感不禁让人想起了沈从文先生笔下勾勒的那幅边城乡村图景。《边城》是沈从文先生乡土文学的奠基力作,《恋恋风尘》也是侯孝贤导演的风格典型之作。他们都在各自的作品中运用沉稳冷静的方式,述说着自己对乡土的眷恋,追寻作者本人内心的精神栖息地。
Hou hsiao-hsien＇s youth movie of Dust In The Wind describes the social transformation in the early70 s in Taiwan which brought drastic changes to families and the society. Apart from the love story between A Yun and A Yuan,Hou Hsiao-Hsien also carefully described the countryside. The peaceful and simple feelings strikes audience and are reminiscent of that rural scene in Shen Congwen＇s Remote City. The Romote City is Mr Shen＇s foundation work of rural literature,and the Dust in the Wind is also of typical Hou Hsiao-hsien style. This article mainly discusses their common,composed and calm way to convey their love towards the countryside,and their pursuit of inner spiritual home.
出处
《湖北第二师范学院学报》
2016年第6期1-5,共5页
Journal of Hubei University of Education
关键词
边城
恋恋风尘
乡土
精神家园
Remote City
Dust In The Wind
homeland
spiritual home
