巴洛克晚期集成歌剧的集成方法与地缘辐射

Integrated Approach and Geopolitical Radiation of Pasticcio in Late Baroque Period

巴洛克晚期在欧洲流行一种将一位作曲家的不同作品或不同作曲家的作品,通过一定的连接手段,使不同体裁、不同风格、不同文化的音乐作品融合一处而形成新作品的歌剧形式,这种歌剧就是集成歌剧。集成歌剧在这一时期作品中所占比重很大,以维瓦尔第、亨德尔和格鲁克等为代表的作曲家,其大量歌剧作品中"集成"式创作方法和音乐思想对后世的歌剧创作产生了重大的影响。集成歌剧以意大利为中心向西欧辐射,因受众审美需要而产生,因政治背景而广泛流传,又因文化碰撞而相互改良,逐渐成为了巴洛克晚期歌剧创作的主要形式。

In the late Baroque period,a new form of opera came to popularity,which a new piece of opera was created by mixing musical works of different themes,styles and cultures from different works of a composer or from different composers. Such new pieces are named ＂pasticcio＂. Pasticcio took a large proportion of the works in this period. Vivaldi,Handel and Gluck are the representatives of the composers whose operas contains an ＂integrated ＂ method of musical creation which has great impact on the opera writing of the descendants. Pasticcio was thriving in Italy as the center,and radiated to Western Europe. It was created for the audiences＇ aesthetic need,widespread due to the political background,and improved because of the cultural clashes. Pasticcio gradually became the main form of opera creation in the late Baroque period.