摘要
巴赫金的《陀思妥耶夫斯基诗学问题》以零散的形式隐含了神之存在的哲学问题,即终极问题。终极问题在复调理论中的潜在运行,既显明了复调艺术的底蕴,也使自身获得了复调形式的显现。复调理论最终显示为"未完成的对话"与"终极问题"的内在关联。
Bakhtin's Problems of Dostoevsky's Poetics, in fragmented form, implies a philosophical problem of the God's existence, the ultimate problem. The potential working of the ultimate problem in the polyphonic theory reveals the basic connotation of polyphonic art, and manifests itself in polyphonic form. The polyphony theory eventually reveals the inherent relationship between "the unfinished dialogue" and "the ultimate question".
出处
《闽南师范大学学报(哲学社会科学版)》
2016年第2期68-74,共7页
Journal of Minnan Normal University:Philosophy and Social Sciences
基金
闽南师范大学科学研究资助项目(SJ1002)
关键词
巴赫金
复调
终极问题
未完成
对话
Bakhtin
polyphony
the ultimate problem
unfinished
dialogue