摘要
金圣叹的"才子书"的观念,用文学产生的历史必然来抗衡经史,将《史记》纳入了文学性研究的意义体系,完成了史学向文学研究方向的转换,成为《史记》文学经典化历程中最有意义的创举;金圣叹以《史记》为艺术价值尺度对《水浒传》的品评实践,在《史记》、《水浒传》两个经典的对话中,文本的互文性相互阐释、相互印证,《史记》的经典重新归置了文学秩序,作为坐标尺度标出了《水浒传》在文学史的地位,强化了《史记》文学经典地位。
The concept of "cai zi shu"proposed by Jin Shengtan to be a match for Classics and History has incoporated Historical Records into the literary research system from historical reseach,which is the most significant event in Canoni-zation of literature of Historical Records.By comparing for the "Yi wen yun shi"idea of Historical Records and the "Yin wen sheng shi"idea of Water Margin,Jin Shengtan evaluated Water Margin in reference to the art value of Historical Re-cords.Through mutual interpretation and confirmation of intertexuality,Historical Records has marked the literary posi-tion of Water Margin and strengthened its own status in classic literature.
出处
《西安交通大学学报(社会科学版)》
CSSCI
北大核心
2016年第4期122-126,共5页
Journal of Xi'an Jiaotong University:Social Sciences
基金
中国博士后第七批特别资助项目(2014T70900)
中国博士后第五十四批面上资助项目(2013M542317)
国家社科基金项目(13BZW040)
关键词
金圣叹
《史记》
文学经典化
Jin Shengtan
Historical Records
Canonization of literature