摘要
日本新华侨女作家陈永和以"女扮男装"的"我"叙述历史,通过"身体"书写特殊时期底层人物的命运,审视身体与身份、权力、性的重重纠葛,特别是揭示了从性虐到享虐的女性悲剧。不同于往常灵魂深处闹革命的《一九七九年纪事》,以身体性忏悔的冷静,对当今社会具有现代性意义的问题进行深入探讨。可以说这是日本华文文学对中国文学所奉献的一点"收获"。
Woman writer and new oversea Chinese in Japan Chen Yonghe tells the story in the tone of a male"I". Starting from the"body",she depicts the fate of those deprived in a special historical period,pondering the entanglement of body,identity,power and sexuality. Her story is a female tragedy from sexual abuse to masochistic pleasure. Different from those radical revolutionary accounts of that time,the body and sexual confessions in Chronicle of 1979 is remarkably cool- headed,and contains in- depth enquiries into modernity issues which are of great significance to contemporary society. Chen's writings can be regarded as precious"harvest"of oversea Chinese in Japan literature to Chinese literature.
出处
《湘潭大学学报(哲学社会科学版)》
CSSCI
北大核心
2016年第4期104-108,共5页
Journal of Xiangtan University:Philosophy And Social Sciences
基金
国家社会科学基金项目"日本新华侨华人文学三十年"(项目编号:13BZW135)的阶段性成果
关键词
身体
身份
权力
性虐
享虐
忏悔
body
identity
power
sexual abuse
masochistic pleasure
confession