高丽中后期诗风转变的关键——论李仁老对杜甫诗法的接受

The Influence of Du Fu's Poetic Theory on Li Renlao——And about the Spread of Du Fu's Poetic Theory in the Middle and Late Gaoli

杜甫诗作重法,其"用法至于无迹"的诗法论,启发了朝鲜高丽朝汉诗人李仁老。高丽诗坛崇尚规范易学的汉诗,杜甫诗因恪守诗法、格律严整而深受欢迎。李仁老推崇杜甫,并将杜甫的诗法论用于批评朝鲜汉诗创作,并在此基础上形成了其初具本土特色的诗法观。李仁老的诗法评论,不仅奠定了高丽朝汉诗学基础,而且对于清除高丽诗风之弊,纾解高丽诗坛困境,促进高丽汉诗创作的良性发展,乃至于走出朝鲜汉诗创作的一条特色之路,都产生了意义深远的影响。

Two opposite ways of poems written in Chinese conflicted in the middle and late Gaoli ： to obey poetic laws or not, to write in an ornate style or not. Because of the spread of Sushi and Jiangxi Poem School in Gaoli, the influence of Du Fu was expanded. Du Fuemphasized the use of poetic laws with no trace, which reconciled the two opposite ways of poems written in Chinesein the middle and late Gaoli and enlightened Li Renlao. Li Renlao also not only corrected previous malpractice but also Chinese in Gaoli. emphasized the use of poetic laws with no trace, which promoted the healthy development of poems written in