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浅议中国、日本、欧洲纪念性建筑记忆的载体 被引量：1

A Discussion On The Carrier Of The Memory Of The European Memorial Architecture In China, Japan And Europe
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摘要 本文以苏州报恩寺、伊势神宫、帕提农神庙为例辨别了中国、日本、欧洲纪念性建筑记忆载体的差异,分析了三种记忆载体的可靠和不可靠因素,提出基于文字作为记忆载体的中国保护现有纪念性建筑的建议。 The article distinguishes the difference of memorial buildings among China, Japan and European countries.Taking the Suzhou Baoen temple, Ise Grand Shrine and the Parthenon for example, it aims to analyze the three types of memory carrier focusing on their reliable and unreliable factors respectively. In additional, the recommendations of the protection of existing Chinese memorial buildings whose carrier of memory is based on text are proposed.
作者 戚瑞
机构地区 东南大学建筑学院
出处 《建筑与文化》 2016年第7期208-210,共3页 Architecture & Culture
关键词 纪念性建筑 记忆载体 差异 可靠性 不可靠性 保护 Memorial Building Memory Carrier Difference Reliability And Unreliability Protection
分类号 TU251 [建筑科学—建筑设计及理论]
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  • 1"in his autobiography, CarI-Gustav lung described how, in his old age, he wished to go to Rome, which he had never visited before. He had always postponed this project, fearing that he might not be able to withstand the emotional impact of such an encounter with the living heart of Europe's ancient culture. Eventually, as he entered a travel agency in Zurich to buy his ticket he fainted and remained unconscious for a short moment. After this experience, he wisely decided to abandon his plans and he never saw Rome.'Pierre Ryckmans, "The Chinese Attitude Towards the Past," Papers on Far Eastern History 39 (March 1989): 2.
  • 2"Tokyo, in fact, is a "brand new' city, Most of its architecture has been constructed and/ or reconstructed after the Second World War; according to a 1993 statistic, more than 30% of all [its] structures has been built since 1985," Botond Bognar, "What Goes Up, Must Come Down."Harvard Design Magazine 3 (Fall 1997): 34.
  • 3"In the city, memory begins where history ends. P. Eisenman, introduction to Rossi, 1982, 11" Adrian Forty. "Memory," in Words and Buildings: A Vocabulary of Modern Architecture (London, England: Thames & Hudson, 2000), 206.
  • 4"The creation of buildings for commemoration is one of the oldest purposes of architecture. The expectation that works of architecture can prolong collective social memory of persons or events beyond the mental recollections of individuals who knew or witnessed them at first hand has been a regular feature of architecture since antiquity, and we have many surviving examples of what may be called 'intentional monuments', that is works built to commemorate specific people or events." Adrian Forty, "Memory," in Words and Buildings: A Vocabulary of Modern Architecture (London, England: Thames & Hudson, 2000), 206.
  • 5刘禹锡《题报恩寺》.
  • 6"One involuntarily bows in front of iL" Arata Jsozaki, "Japan-ness in Architecture," (Cambridge, MA: The MIT Press, 2006), 136.
  • 7白居易《题报恩寺》.
  • 8方干《题报恩寺上方》.
  • 9"It was practically impossible for most artists, aesthetes, connoisseurs and critics to acquire full first-hand knowledge of ancient art. On thi~ subject, even historians were dealing mostly with abstract concepts, unverified stereotypes and literary information." Pierre Ryckmans, "The Chinese Attitude Towards the Past," Papers on Far Eastern History39 (March 1989): 6.
  • 10"The handrail of the balustrade, as well as the flammule finial (giboshi), derive obviously from China; the selfsame motifs are still in use on Japanese Noh stages today. They were perhaps also in use in court architecture of the period: namely, at daigoku- den where the emperor attended to government affairs. The color combinations of the ornamental finials, though arranged differently in the inner and outer shrines, unquestionably relate to Chinese Taoism." Arata Isozaki, Japan-ness in Architecture (Cambridge, MA: The MIT Press, 2006), 140.

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建筑与文化
2016年 第7期

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