从突变论探讨华裔马来诗歌创作的演化

A Study of the Development of Chinese Malaysians Malay Poetry from the Perspective of Catastrophe Theory

文学的演化一如物种,有其不变的继承,同时也会随着时空的不同而产生渐变或突变。本文以马来西亚华裔的马来诗歌创作为研究对象,并放置于马华文学复系统的框架来探讨。研究发现,华裔马来诗歌在跨越19世纪末与20世纪的演化过程中,于1970年代前后遭遇了突变,具体表现于从古体诗转向新体诗以及作家群体的撤换。从诗歌文体来看,华裔创作的班顿是变异性最大的体裁。

The evolution of literature is similar to that of species and has constant inherit- ance and the gradual change or mutation due to the different time and place. This paper will focus on Chinese Malaysian＇s Malay poetry and the further discussion is placed in the framework of polysystem of Chinese Malaysian literature. The study finds that across the end of the 19th century and 20th century, Chinese Malaysian＇s Malay poetry had a sudden mutation in the 1970s. During this period, the writing style and writers group had experi- enced a dramatic transformation. From the perspective of poetic stylistic, Pantun created by Chinese Malaysian have the largest variability.