《黄山来的姑娘》:雇佣劳动的性别化寓言

A Lass from Huangshan: Gender Allegory of Wage Labor

作为20世纪80年代初期的一部重要电影,《黄山来的姑娘》再现了打工妹群体在当代中国的"发生政治",其既是改革开放的现代性项目对于雇佣劳动力主体的性别化再生产,又隐喻了在历史和现实的交错中建构起来的新社会差序结构。电影不仅是对一个理想的保姆形象的呼唤,更是即将展开的中国特色社会主义市场经济,对某种身份制雇佣劳动力的意识形态询唤。然而,在这个合乎时代需要的"臣服的主文本"之外,尚存在一个"抵抗的次文本",女性姊妹情谊、社会主义伦理为这种"弱者的抵抗"提供了情感与政治资源。

As an important film in the early 1980s, A Lass from Huangshan presents the ＂occurring politics＂ of migrant women workers in modem China. These women embody the gender reproduction of the majority of wage labor in the modem projects of China＇ s reform and opening process, and are metaphors for the new hierarchical structures of the society that is constructed in the staggering interaction between history and reality. The film is not only a call for ideal nanny, but also, more importantly, an ideological call for a certain identity-rendering employed labor in the arriving socialist market economy. However, besides this ＂subjugated main text＂ that caters to the need of the time, there is a ＂rebellious sub-text＂： the sisterhood between women and socialist ethics offer emotional and political resources for the resistance of the weak.