中国早期钢琴音乐的文化阐释——输入、选择与融合

Cultural Interpretation of Piano Music in Early China

中国早期钢琴艺术脱胎于西方音乐艺术的"母体",在经历"本土化"的过程中,既有对西方进步的理论知识、演奏技巧、教学方法的理解与消化,也发扬了中华民族音乐文化精髓。如今,中国钢琴音乐文化成为音乐教育普及程度最高的"民族乐器"。但西方音乐文化价值观为中心的文化控制机制,依然对中国音乐观念和行为发生作用。虽然一些中国风格钢琴音乐作品和演奏法的出现,积极参与音乐文化话语权之中,但传播深广度和接受度与西方钢琴音乐不可同日而语。如何真正实现中西文化有机融合,实现钢琴音乐文化的中国化改造,将会是未来中国音乐文化发展的关键所在。

China＇s early piano art came from the parent body of Western music. During its localization process, it not only interpreted and digested western advanced theory, technique and teaching methods, but also carried forward Chinese artistic essence. Up to now, piano has become China＇s most popular and widely-educated national musical instrument. However, western-oriented cultural control mechanism is still influencing Chinese musical actions and values. Despite the emergence of piano works of Chinese style, and active part it takes in musical discourse, its popularity and acceptance can never compare with western piano music. How to achieve the real combination of western and Chinese music, and how to sinicize piano music culture, is the key point of China＇s music culture development.