摘要
俄国著名学者乌斯宾斯基是原苏联塔尔图—莫斯科符号学派的代表人物,而柄谷行人是日本现代三大文艺批评家之一。在这两位大师的思想中我们都可以发现结构主义的影子,但是他们又不仅仅局限于结构主义。柄谷行人通过分析日本现代文学的起源,发现了隐藏在日本现代文学当中的"颠倒"成分。而乌斯宾斯基是通过分析西欧中世纪造型艺术的视点结构,发现了隐藏在西欧文艺复兴以后的艺术作品当中的"颠倒"现象。
Uspensky, a famous Russian scholar, is the representative figure of the Tartu-Moscow School, and KarataniKojin is one of the three literary critics in modern Japan. From the two great thinkers, we can find that they are affected by structuralism, but they are not only confined to it. Through the analysis of the origin of modern Japanese literature, KarataniKojin has discovered the "upside down" component hidden in the modern Japanese literature. And through the analysis of the "point of view" structure of western European medieval formative arts, Uspensky has found the "upside down" phenomenon hidden in the works of art after the Renaissance in Western Europe.
出处
《俄罗斯文艺》
CSSCI
2016年第3期113-118,共6页
Russian Literature & Arts
关键词
乌斯宾斯基
视点
柄谷行人
颠倒
Uspensky
point of view
KarataniKojin
upside down