摘要
在元散曲中,青山的意象多次出现,除了作为客观的景物存在外,还具有丰富的内涵。在隐逸之作中,它既是文人的心灵归处和精神家园,又是其伴侣与知己;在抒怀之作中,它既反衬了历史的虚无,又是世事变幻的参照;在相思之作中,它是女子的屏障,隔断了她们眺望情人的视线;在写景之作中,它提供了色彩的叠加与对比。
The image of the green hills appears for many times in poems of Yuan Dynasty. In addition to being an objective scenery, it has rich connotations. It is not only the writers＇ the soul dwelling and spiritual home but also their partner and friend in hermits;it reflects the historical nothingness and is the reference of changing world in lyrics;it is the barrier of the woman, shutting off their sight at their love in the acacia; it provides superposition and contrast of color in the scenery.
出处
《特立学刊》
2016年第3期57-60,共4页
Teli Journal
关键词
青山意象
隐逸
抒怀
相思
色彩
the image of green hills
hermit
lyric
acacia
color
