从放逸到整美:文学观念影响下的明初院画审美特征

From the Ease to Uniform:Aesthetic Characteristics of Court Painting in the Early Ming Dynasty with the Influence of Literary Concept

在元季追求"怡悦性情"的文学观念的影响下,明初院画继承了放逸的审美风格。但是明初统治思维的变迁,文学观念逐渐回归传统"文以载道",重政教之用的文学观念。这种"重道"的文学观念,逐渐影响绘画,遂之,明初院画逐渐扬弃元画的荒寒逸趣,有意识地选择隔代回归,形成从放逸向整美过度的绘画风貌。

Under the influence of the pursuit of 'Entertainment' of literary conception in the end of the Yuan Dynasty,the Court Paintings in the early Ming Dynasty inherited heedlessness aesthetic style.However,because of changes of the governance thoughts in the early Ming Dynasty,literature conception gradually return to the traditional ' With written records ' With emphasis on the literary concept of political and religious.This kind of literary concept of ' With written records ',gradually affect painting,then,Ming Court Paintings abandoned Yuan painting's desolate and cold replete,consciously chose the generational return,formed the painting style from the ease and the uniform.