摘要
在陈雪的散文作品中,历史、故乡是他叙事的支点和逻辑认知的起点。作者以文化的纵深建构作品的丰厚感,以思想上的沉潜保持对现实生活直切、敏感。不流于表面,不滥于抒情,将生存历练出的认知、观念上升为作品对诗性精神的寻询。文章通过叙事性书写与空间表征两个方面,分析陈雪散文区别于当下散文"过度抒情"现象的内在特征,探讨如何通过不同空间的组织、表达,实现文学与历史、现实的思想融通。
In Chen Xue' s prose, history and hometown are the fulcrum of narration and the starting point of logical cognition. The author constructs the rich feeling of works by abundant culture elements, and remains sensitive and straight of life by the thought of accu- mulation. His works is profound, and the feelings are sincere. Besides, the author sublimates the concept and cognition summed up from his experience of life into seeking the poetic quality of works. This paper analyzes the intrinsic characteristics of Chen Xue' s prose form the aspects of narrative writing and spatial representation, which is used to distinguish the phenomenon of "over expression", and discusses how to realize the unity of literature, history and reality through the organization and expression of different space.
出处
《惠州学院学报》
2016年第4期11-16,41,共7页
Journal of Huizhou University
关键词
陈雪
散文
叙事性书写
空间表征
《时光印格》
Chen Xue
prose
narrative writing
spatial representation
Time Memory