摘要
作为河南人,还原1942年河南受灾饿死300万人的历史,刘震云萌生创作,但小说中被采访者呈现模糊或冷漠叙述,这又与河南多灾的背景及灾民身份有关,在此基础上刘震云用农民立场、民间视角、调侃口吻连缀文本。当小说进入影视,沉闷与血腥的画面让人们对"饥饿"有更深的视觉感受。在小说与电影两种视角观照下,更能理解河南人的性格。
Reproducing the catastrophic history of Henan in 1942 ,as a writer,Liu Zhenyun begins to churn out lit-erary composition.However,most of those interviewed have hazy and indifferent depictions.Maybe those have to do with the region of Henan and the identity of disaster victims.Based on this,Liu Zhenyun has a consciously peasant stand and folk perspective,combined with a sly humor.When the novel walking into movie,viewers have a deep feeling of hungry with depressed and bloody pictures.Between novel and movid perspective,we can realize the char-acter of Henan people and ethnological root.
出处
《漯河职业技术学院学报》
2016年第4期46-48,63,共4页
Journal of Luohe Vocational Technical College