鲁迅与周扬的文艺思维模式辨析——以“两个口号”之争为中心

Analysis of Lu Xun and Zhou Yang's Thinking Modes——Centering on the “Two Slogans”

文艺界"两个口号"之争中对立的主角鲁迅与周扬在文艺思维上基本上属于两类不同的模式:周扬偏向于将一切归纳于某个单一的、普遍的一元原则的"刺猬"类模式,而鲁迅倾向于多元的、漫射的离心式的"狐狸"类模式。思维模式的不同是鲁迅与周扬在"两个口号"中产生冲突的深层次原因之一。辨析鲁迅与周扬两人的文艺思维模式既是对"两个口号"争论原因的多角度探讨,也是对中国现代文学史新的解读与观察,还可以吸取不应该遗忘的经验教训。

Lu Xun and Zhou Yang are basically belonging to two kinds of thinking modes： Zhou Yang had preference of a unified ＂hedgehog＂class model,while Lu Xun tended to be diversified model of ＂fox＂class. Lu Xun and Zhou Yang＇s different thinking modes are one of the deep-seated reasons for the ＂two slogans＂fighting. To inquire the cause of＂two slogans＂controversy is the new interpretation and observation of modern Chinese literature and it also can learn lessons not to be forgotten.