Art in the Age of Digital Reproduction： Reconsidering Benjamin＇s Aura in ＂Art of Banksy＂

Art in the Age of Digital Reproduction： Reconsidering Benjamin＇s Aura in ＂Art of Banksy＂

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作者 Canan Akin N. Sezin Klpcak

出处《通讯和计算机（中英文版）》 2016年第4期153-158,共6页 Journal of Communication and Computer

关键词艺术作品光环复制数码数字技术伊斯坦布尔商品化距离和 Aura, Benjamin, Banksy, graffiti.

参考文献11

1Gottlieb, L. 2008. Graffiti Art Styles: A Classification System and Theoretical Analysis. USA: McFarland & Company, Inc., Publishers.
2Farris, L. 2009. "Challenging Conceptions: The Fine Art of Graffiti." Master of Arts. Kansas City, MO.
3www.oxforddictionaries.com.
4Pan, L. 2015. "Aestheticizing Public Space: Street Visual Politics in East Asian Cities." Intellect Books, UK.
5Banksy, W., and Piece. 2005. Wall and Piece. Century, London.
6Raychaudhuri, A. 2013. "Just as Good Place to Publish: Banksy, Graffiti and the Textualisation of the Wall." Journal on Interdisciplanery Studies in Humanities 2 (1): 54.
7Benjamin, W. 2007. "The Work of Art in the Age of itsTechnological Reproduction." SimonDuring, Cultural Studies Reader, Routledge, London.
8Beecham, N. 2013. "Transforming the Aura: An Analysis of The Political Nature of Walter Benjamin's Aura in the work of Street Artists." Cultural Theory and Cultural Forms LSE Module SO 434: 2-3.
9The Art of Banksy, Exhibition Book, Istanbul Entertainment Group.
10Hurriyet Daily News. 2016. "The Art Of Banksy Makes World Premiere in Istanbul." http://www.hurriyetdailynews.com/the-art-of-banksy-ma kes-world-premiere-in-istanbul.aspx?pageID~238&nid~93859Eri~imTarihi: 3 Nisan 2016.

通讯和计算机（中英文版）

2016年第4期

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