摘要
通过对丹托的美学思想进行解读可以得知,当代的服饰时尚能够阐释为两种形态的嬗变,即器具化的服饰是作为符码的服饰,面料化的服饰是功用化的服饰。其实,经过分析二者都是不完整的服饰时尚。其次,为了回归到完整的服饰时尚,进行架构的重建,完整的服饰时尚的生成是经由购置、穿扮、抛离三者情态而统一的。最后,经由架构的重建,服饰时尚的审美超越是在创制中的游戏性,以及超越时间性而得到完整地体现与阐释的。
From Danto's aesthetic thoughts, we can know that contemporary fashion can be interpret for the change of the two forms. One is dress like appliance, the other one is as function of clothing fabric.In fact, both are incomplete clothing fashion through analysis.Secondly, in order to return real dress fashion and architecture of reconstruction,the real dress fashion is generated through purchase,dressing, leaving.Finally, through the three parts which is reconstruction, clothing fashion aesthetic transcendence is created in the game play, as well as beyond the timeliness and get fully embodied and interpretation.
出处
《武汉纺织大学学报》
2016年第4期32-36,共5页
Journal of Wuhan Textile University
关键词
服饰
美学
时尚
生成
clothes
aesthetic
fashion
generate