摘要
文言诗的审美规范超常稳定,十分吻合国人相应的接受心理。然而,现代诗与文言诗已然出现两种"不同制式"的分野,前者的"流变"趋势,不断解构着后者的恒态与固化。总体上说,古代乡村,自然田园模式不断遭遇现代都市模式的"蚕食",在题材、主题、意蕴、结构、节奏、语言、句法、手段诸方面都受到明显冲击。从差异性出发而非固守同一性观点,或许更能深入体悟新旧诗歌在文本接受上的"裂隙"(有些时候甚至不可通约),理解其间差异性。在比较不同"纹理"的基础上,清理接受的惯性与陈旧观念,采撷新的现实经验,进而调节现代新诗的接受心理,形成新的审美规范。
The aesthetic norms of classical Chinese poetry is stable,which coincides with the acceptance psychology of Chinese people.But there are two differnt systems between modern poetry and classical Chinese poetry.The chaning trend of modern poetry continuely deconstructs the steady state and solidification of classical Chinese poetry.Generally,the modern mentropolis mode encroaches on the ancient nature pastoral mode from the aspects as theme,subject,implification,structure,rhythm,language,syntax and so on.From the perspective of difference,rather than insisting in identity,we can profoundly understand the crack in text acceptance of modern poetry and classical Chinese poetry.
出处
《华中师范大学学报(人文社会科学版)》
CSSCI
北大核心
2016年第4期90-98,共9页
Journal of Central China Normal University:Humanities and Social Sciences
基金
国家社会科学基金后期项目<诗歌审美接受研究>(14FZW005)
关键词
现代诗
文言诗
差异性
接受心理
modern poetry
classical Chinese poetry
differnce
acceptance psychology